In 1850 the Italian dancer Maria Baderna arrives at Brazil, her fame and the scandals she provokes turns her name in a common expression. The film uses passages supposed to be about her to criticize modern Brazil, the dictatorship period and also a homage to filmmakers like Rogério Sganzerla.



★ 5.6
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★ 5.7
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★ 6.4
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★ 4.8
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★ 8
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★ 6.8
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★ 6.3
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★ 7
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★ 6.5
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★ 6.2
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